黄艳泽

视频简介

“在意大利丰富的犯罪历史中，马蒂奥·梅西纳·德纳罗和他的30年销声匿迹是独一无二的，”导演们坚持说，“多年来的调查和报道中透露出的细节，让我们有机会深入了解他神秘的性格，并揭示他隐身存在所培育的广泛关系网络。在我们的电影中，在理性的沉睡中追逐梦想的人们，最终都陷入了悲剧而荒谬的噩梦之中。”。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。《镜文学惊悚剧场》集合了卓立、陈宏一、王威翔、刘邦耀、林冠甫、沉骐、李育丞7位导演，联手制作7部不同内容，但都紧紧扣着惊悚悬疑的故事。 你看见的， 不一定是你看见的。七个故事，窥探人性的幽暗深渊。 《乐园》夫妻共赴神秘度假村，为了拯救爱情却救不了命 《肇事者逃逸》设法逃出死亡回圈的求生罗生门 《住户公约第一条》孤独孩童的家庭秘密，竟是一桩痛心惨剧 《打扫》吞噬人的黑洞，是源自人性受倾轧而诱发的疯癫 《虎》的挑衅、忌妒与占有，终将酿起残酷的复仇 《隧道》追寻救赎而激荡出的爱，沾染毁灭的气味 《完美Lily》对美好人生的向往，却是复制与贴上。