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《爱人说》是《再见爱人4》会员定制辩论节目，节目从《再见爱人4》的嘉宾故事里提炼了关于爱的辩题，每期针对一个辩题，展开辩论。情感话题没有输赢，理解才是最终目的。《爱人说》只为给大家提供一个多视角复盘情感话题的讨论场，让不同的视角和不同的观点，都能得到碰撞。最重要的是在这些碰撞中长出一朵名为“理解”的花。爱是多面棱镜，理解照见人心！。民国初期，安静沉实的常大勇（惠天赐）受其父（鲍方）之命，接待其师叔公。一心以为他是一位长辈，不料原来是一位娇俏可人的小姑娘柳若男（陈秀珠）惊为天人。因为辈份的关系，不敢向若男示爱。若男於是受到陈小福（吕良伟）猛烈追求，以「菊花第三个用途」一直邀约之。 大勇父亲一直希望儿子继承其衣砵，在拳门登位的那天，大勇上台致辞时，他居然在台上讲出一句：若男我爱你！把父亲气得七窍生烟。但若男却暗暗感动。 其後，大勇及小福一并去从军，遇上极度严厉但心地善良的汉人军官（朱铁和）。由於汉人饱受旗人子弟欺负，小福为求在军中找个靠山，追求大帅之女端木爱芝（林绮雯/林漪娸）。 战後，大勇及小福来到上海，重遇柳若男，此时她已经成为高级交际花，化名柳粉蝶，并成为一代枭雄（刘丹）的情妇。大勇一而再希望证实柳粉蝶为柳若男，无奈她坚决否认。在小福安排下，大勇潜入粉蝶的房间，赫然发现自己的...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。