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二十四节气被列入联合国教科文组织“人类非物质文化遗产”代表作名录。纪录片《节气：四季的交响》讲述了二十四节气的形成、发展过程和对中国社会的深刻影响，详细描画了每个节气的来历和物候特征，通过鲜活的人物故事，表现当下中国人在不同节气里的衣食住行、民风民俗等节气文化。。风景如画的西双版纳澜沧江畔，戴着红领巾的傣族小男孩岩拉带着弟弟埃扎朋刚从河里挑完水，正准备给波景恩老爷爷送到家中。途中，他们遇见了骑着高头大马的解放军高排长，心中充满了敬仰之情。亲人解放军赶走了反动派，为当地同胞修建水库，改善生活，做了无数的好事。岩拉兄弟希望能学习解放军做好事，在野外割马草时，意外捡到了两只从未见过的大蛋。他们拜托美丽善良的依波姐姐，打算用母鸡把蛋孵出来，希望能孵出鸭子，等鸭子长大后再生蛋，然后送给解放军叔叔吃。经过漫长的等待，蛋终于孵化成功，但破壳而出的却是两只小孔雀。从波景恩老爷爷口中，他们听到了一个关于孔雀的感人传说…… 本片根据同名故事改编。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。