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第43集《寅次郎的休息日》(Tora San takes a vacation) 导演：山田洋次原著：山田洋次剧本：山田洋次、朝间义隆主演：渥美清、倍赏千惠子、后藤久美子制作：松竹影业出版日期：1990年12月22日片长：105分钟票房：208万人剧情满男上了大学，离家很远，可是阿博却不让他骑摩托往返。长大的满男不希望父母的唠叨，要独立地处理自己的事情。这时他特别想念舅舅阿寅。 阿泉从名古屋来看望爸爸，可是扑了个空，爸爸跟随另一个女人去了对方的家乡日田。阿泉心中一直有一个梦想，希望靠自己使父母重归于好。在东京，阿泉见到了回家的阿寅，舅舅带着她去茶馆，听她讲述自己的故事。 失望之余，阿泉决定去找父亲，满男自告奋勇陪她一同上路。同时到达的还有阿泉的妈妈，陪她来的就是阿寅。在这里，阿泉看到了另一个叫杏子的女人，他让父亲自愿离开都市来到乡村...。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。在千阳沐浴之下，多个故事交织成诗篇。 一群才华横溢的电影人聚在一起共同创作，探索人类的过去、现在和未来。。